Half-Japanese and half-New Zealander, Mark de Clive-Lowe was initially invested in electro club culture before becoming a jazz musician. He finds multiple artistic voices with his new album, Heritage. We caught up with him in New York at the Winter Jazz Fest, January 2019.
You might know Swindle for his contributions to the UK grime canon, but the producer's latest project, No More Normal, is an expansive snapshot of the country's fertile hip-hop, soul and jazz scenes that calls on an ensemble cast of musicians and vocalists.
The raw and innovative saxophonist gives a one-of-a-kind interview alongside bandleader Thomas Sayers Ellis. Speaking with Qwest, they reflect on the power and purpose of their celebrated collective, the nature of avant-garde expression and its place within modern American society.
The longtime rising star of the drums in critics' polls has become a bona fide, go-to drum maestro who’s in the midst of a creative bonanza of music. The leader of her adventurous ten-year-old ensemble, Boom Tic Boom, Allison Miller doesn’t flinch at the assessment. “We’re jazz people,” she says. “We’re in the moment.”
“How many musicians do you know who can work with Ray Charles, Chick Corea, and Brad Mehldau, and also play completely free and make it work?” Lionel Loueke asks rhetorically in a promotional video for drum-master Jeff Ballard’s new release, Fairgrounds.
We had a small talk with australian up & coming artist, Allysha Joy, who drew our attention this year with Acadie : Raw, her first album as a leader. The singer and keyboard player shared her views on her music as well as on feminism and racism in Australia.
Cecile Mclorin-Salvant talked to Qwest TV about her 17-songs duo album, recorded with Sullivan Fortner, and the way she likes to work and think her art.
The Cameroonian saxophonist Manu Dibango, who turned Eighty-Five in December 2018, was an essential figure in breaking down barriers to African music, particularly thanks to the international success of "Soul Makossa," in 1972. Here, he reveals his journey, moving between jazz, rumba, funk and reggae, crossing paths with Sidney Bechet, Quincy Jones, Herbie Hancock, Bob Marley and Mohamed Ali along the way, as well as General de Gaulle, Emperor Bokassa and notions of Pan-Africanism. For this long-form interview, we begin at the beginning: at the foot of Mount Cameroon, 1933.