The longtime rising star of the drums in critics' polls has become a bona fide, go-to drum maestro who’s in the midst of a creative bonanza of music. The leader of her adventurous ten-year-old ensemble, Boom Tic Boom, Allison Miller doesn’t flinch at the assessment. “We’re jazz people,” she says. “We’re in the moment.”
“How many musicians do you know who can work with Ray Charles, Chick Corea, and Brad Mehldau, and also play completely free and make it work?” Lionel Loueke asks rhetorically in a promotional video for drum-master Jeff Ballard’s new release, Fairgrounds.
We had a small talk with australian up & coming artist, Allysha Joy, who drew our attention this year with Acadie : Raw, her first album as a leader. The singer and keyboard player shared her views on her music as well as on feminism and racism in Australia.
Cecile Mclorin-Salvant talked to Qwest TV about her 17-songs duo album, recorded with Sullivan Fortner, and the way she likes to work and think her art.
The Cameroonian saxophonist Manu Dibango, who turned Eighty-Five in December 2018, was an essential figure in breaking down barriers to African music, particularly thanks to the international success of "Soul Makossa," in 1972. Here, he reveals his journey, moving between jazz, rumba, funk and reggae, crossing paths with Sidney Bechet, Quincy Jones, Herbie Hancock, Bob Marley and Mohamed Ali along the way, as well as General de Gaulle, Emperor Bokassa and notions of Pan-Africanism. For this long-form interview, we begin at the beginning: at the foot of Mount Cameroon, 1933.
With his new album, Origami Harvest, Ambrose Akinmusire once again demonstrates the sheer creative freedom that runs through his compositions. Here is the Blue Note-signed American trumpeter discussing Origami Harvest in his own words.
Rocé’s idea of gathering 24 francophone tracks that focus notions of labor, anti-colonial sentiment and struggles for emancipation between 1969 and 1988 confirms his reputation as an informed and engaged rapper. The result is a compilation entitled Par les damné.e.s de la terre (By the Damned of the Earth).
Fresh off the release of his Pieces Of A Man album, we spoke to Mick Jenkins about the influence of Gil Scott-Heron on his music, trading bars with Ghostface, and how he balances the demands of the music industry with maintaining a private life.